I watched a bit on my OLED after my post. My OLED was never calibrated so keep that in mind (it's in my kitchen and it's used only for news or sports events). Yes, it has great contrast and perhaps it's my settings but I found the contrast too much. If I got close to make it immersive the dark scenes were too noisy (again, could be lack of calibration) and the highlights were fatiguing and unnatural. I'll take my large screen and the RS4500 any day of the week.
To each his own I guess, but as great as the picture on the RS4500 is it doesn't compare to an OLED when it comes to contrast, so you probably enjoy the immersive aspect of the large screen more than anything which I love about my HT as well, but there are some things that projectors can't reproduce that flat panel displays can and that is irrefutable if we are being honest with one another. Out of curiosity I'd like to hear others opinions of the scenes I am referring to from Godless that have viewed it on their RS4500. Maybe I am overly sensitive to the really low APL scenes?
Craig, you have the Panny, so you have Netflix HDR. You're missing out if you don't take advantage of it. Try it for a month. Quality is pretty damn good.Totally agree on Atomic Blonde 4k and Wind River.
Maybe you need to add a Radiance Pro with their new HDR tone mapping feature. Kris Deering says itmakes his RS4500 look pretty close to his OLED.
The thing is I have only enough time to watch a movie 3 - 4 nights a week max. - and I have at any one time at least 3 movies I've never seen yet. I have 69 4K Blu-rays and 481 Blu-rays, and new ones like Dunkirk and Kingsman 2 filtering in all the time. I have zero time to watch almost any television series - network or Netflix. I'm almost 100% a movie guy. And I never go to a commercial theater - not even for Star Wars. Always watch them in my theater. A Netflix subscription would be pretty much wasted on me.
I can appreciate that completely! What I am seeing may also have to do with compression algorithms that drown out a lot of detail in low light because I have never encountered anything close to what I saw in Godless with a UHD or std bluray to date.
I was contemplating that but I have talked to some people I hold in high regard and they told me that you can calibrate the RS4500 so well that buying a Radiance Pro for tone mapping only would be spending money "unwisely".
Interesting. I have one being delivered today. Bought it because on Kris Deering's recommendation.
Have you seen Unforgiven? Ghost in the Shell?
I'll tell you whom I talked to about in PM if you want to know.
Kris' comments are precisely why I inquired about it as well. I am sure there is some benefit from it, but maybe to what extent is it worth it to the individual to spend the money on a radiance pro? Now if you use it to scale and some of it's other benefits that it offers there is certainly more value to it than just tone mapping which is all I was inquiring about.
Somebody clever like HD Fury needs to make a box just for HDR tone mapping for projectors, for less $ !!