Especially when all the other improvements are taken into account. I just watched " Deepwater Horizon " in 4K on my RS600. Going to have to use this as a test disc when I get the RS4500. Stellar picture quality.
Digital 17 is not an issue with the 4500 like it is with other models.
Hi Kris, I just used the AVS709HD patterns, they have 0% black, 1% grey, 2%, 3%, 4% grey fields etc. It will at least tell you the luminance levels at those points, then when divided into the white peak you have a number.I would be interested in those measurements with a chart similar to what projection dream uses, but I don't know where to get those.
To do this correctly you need to use the Projectiondream approach and ask them for the patterns. I asked for them a while ago, but I had no luck.
Poor you Craig, having to make do with a RS600 until you receive your RS4500! How on earth are you coping?
Could be that, or, could be the dimming playing some part, I dont get why this is not infinity if dimming was on.
Oh I think you could probably figure out why.
Dimming was on
Well now I am suitably confused as to why 0% measured any black at all, should it not be completely off with 0%?Thanks for doing those measurements by the way, that is very impressive and certainly don't seem to be giving up on too much with regards to 1 through 4%.
In short, this is why 'INFINITE' contrast ratios are B.S.
Unlike the Epson, it doesn't turn completely off. So you don't get that jarring off/on with fades or dark sequences but you also don't get a true infinite black.
Nonsense. The LS10k literally shuts off at 0%. I have stared directly into the lens while it does this.Im just confused as to why the Z1 didn't apparently do this if 0% was projected and dimming was confirmed to be on.