Another method is to use a color correction filter, like an FL-Day to boost the red which is often the colour that is lacking from the light source (usually the lamp, but some lasers too), which would otherwise require reducing a lot of green and blue to get to D65. By adding the filter you reduce the black and white levels, but can gain some white level back by not having to reduce the green and blue so much, so gain some sequential CR while improving the black level.Guy Kuo was one of the first people I remember mentioning that over on avs and he used it on his NEC HT1000 IIRC.