Looking at some movies and the picture with the new firmware is fantastic. I am going to have to rewatch many of my movies.
What dpad setting are you using - 1 ? Can't wait to try this.
Hey Mike,This will be difficult to answer, but can you characterize the nature of the improvements you see with the Lumgan vs the JVC on its own with DTM? I imagine one aspect of it would be eliminating the need to tweak settings on a per movie basis, but there's likely more to it than that.And do you think you'd be able to consistently identify the differences in a Blind A/B test? If so, what would the giveaways? And would this be for all movies, or just the more 'difficult' ones?Thanks.
I can't. Since I already had the Lumagen, I did not bother to download the update adding this to the JVC, because I can't really compare the two. The calibration for my JVC is in my Lumagen, so if I took out the Lumagen, I lose the calibration. So it would not be an apples to apples comparison. With the Lumagen, I do zero tweaking.
I've mentioned before that I think JVC did a great job with their new tone mapping, especially given their first shot at it. When I did my comparisons against the Lumagen here, it was with a much older build of the Lumagen tone mapping than what is available now. Even then the differences with "difficult" material were quite noticeable. I had a friend that has a JVC over to see as he was curious and he was surprised at how much better the Lumagen looked with content that really tests tone mapping. Because of the nature of JVC's tone mapping it also still requires user intervention to tweak (sometime on a movie by movie basis), whereas the Lumagen is set it and forget it. So not only are we talking about much better performance across the full range of tone mapping but also a much easier experience for the user. This also doesn't take into account any of the other benefits the Lumagen brings to a video setup, which can be substantial depending on the setup.